killekill 012 is being delivered by dubliner eomac, aka ian mcdonnell, aka half of lakker, who has proven himself as one prducer to watch. his sound design is extreme and unique. he creates dense atmospheres and fills them with subtle melodic elements, that are being pushed forward by heavy basslines and markable kick drums. with club play by no less than aphex twin, eomac is a name that is on the verge of exploding onto the scene.
limited edition of 251 handnumbered copies on white marbled vinyl.

in a world in which upstart diy talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. lapalux – aka 25-year-old stuart howard – is certainly one such. as singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. the amalgam of words that make the title is aptly, and perhaps knowingly chosen. the album evokes nostalgia without ever sounding nostalgic, and howard may have had his tongue in his chic when he added the second half of the title. the album is his most focused document to date, adding his beloved r&b and soul into elements of house and hip hop, all with the trademark lapalux finish, infectious, lopsided swing and achingly deep texture.
white coloured double 12 inch vinyl, includes code for free mp3 download of the full album.

new yorkers john selway and elliot taub as neurotic drum band make dance music fun again, mixing elements of classic house, italo disco, techno.

local talk is proud to present a release featuring clemens kahlcke aka clé, also known as 1/2 of märtini brös. a true veteran in the electronic dance music scene with several releases on established labels, including poker flat, dessous and liebe*detail. the title track the jam is a classic deep house track, cleverly layered with elements that builds the track gradually, giving it real drive and purpose. dirtytwo is on a roll and after remixing hnny last month the dynamic duo continues to make house magic, their take on the original is another winner. the sharp beats, shuffly hihats, short staccato strings rips the track to dramatic effect and a guaranteed weapon in any djs set. local talk is talking to you!

in the 9th release of greece s echovolt, simoncino meets the legendary vocalist julian jonah! the result is a shimmering house track full of emotions, reminiscent of larry heard, ten city or even electribe 101. the dub mix of where did you go pitches all of the track s elements into a different level - merely a weapon in the hands of the dj.

first of two new bassheavy techno-ish dub eps by mystica tribe. four tracks of excellent electronic dub with heavy techno and acid influences. although only his second release after his debut in 2011 with meditation stick the japanese mystica tribe already delivers a powerful trademark sound: loose, shuffling beats, layered with heavy basses, tribal percussion and trippy elements, like the dark acid tale on titletrack flowers and the classic melodica stabs on fractale and moon & stone. tokyo dub at its best.

on the fourth unterton release the black dog present a new sound somewhere between house and techno that the black dog call darkhaus. the original version of * council flat emptiness* is an infectious, futuristic, disco-tinged version of a progressive dancefloor workout bathed in strings, mellow melancholia and heavy bass. this is preceeded by a straight to the point stripped down version that multiplies the hypnotic elements of the original. on the b-side a 9-minute-30-something remix from luke slaters l.b.dub corp project drives the original into classic slater territory where techno and groove marry and electrify each other.

finally, a new, true doering, whose other name dirty is something of a fake-out: >i would< captivates the listener with clean, maximum minimal beauty, in typical doering style. the melodies swing gentle as a cradle, the beats take effect in a supporting role and the vocals, though sparsely deployed, complete the demand for inner harmony. the elements combine to create a languorous, warm feeling around the heart û a flawless hit.

the unifying atmosphere of the latest prruk 12inch by andreas florin is a hazardous one. with sublime high pitched tones and soaring sidechained beats, this is a top notch dancefloor record with elevating elements which gradually blend into a perfect package. with the dominant sound being reminiscent and yet thumping this is an all round venture into techno music. something for the collection as the sophomore package thats coming up is just as exciting as the first one.

hello guys and gals, its been exactly one year since the first release on olsen records, so i suppose its time for a new one, now together with studio buddy lindstrøm. >inspector norse< took me to a lot of cheesy places with lots of cash, and i expect nothing less with this new one called... >lanzarote<! (pronounthed with a lithp and a finger thnap) the working title for this was >cowley<, lets see if any of you can figure out why :)... b-side remix by dj-turned-mathematician diskjokke turns down the gayness, but keeps most of the elements for a version even the most serious of the deep house mafia can play. yørs trüly, tødd tërje (and silent partner häanz-peter)

shake is techno at its best! dub techno elements in a basic-channel-style meet kicking, masculine beats as you may know most likely from santos releases, all united in the meanwhile typical mckay style. mckay is the incarnate techno beat, and shake is no exception! ltd 300 copies, white labels

saveds latest offering is a single from berlin based artist burnski. appearing for the first time on the label earlier in the year with his incredible take on harvey mckays *the fall*, the talented producer delivers *lost in the zoo*.
the track is a real house bomb with a jackin disco feel, set across an evolving bass line and flourishing voices. over on the flip is a remix from dynamic duo, the martinez bros. using the original elements and adding their own unique production including an equally addictive bass line and trippy elements, they create a first rate remix that seals the package off perfectly.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

for maximum vinyl sound quality this a 45rpm with a -12db cut! this release ist strictly limited to only 300 pieces worldwide (consecutive numbering on the backside.
the soc003 ist the start for the new metropolis series by dr. ogni jacquard. as international booked dj & live act dr. ogni feels home in the worlds big metropoles. inspired by his dj-gigs in the different countries and cultures, he integrates various elements of these metropoles in his songs. for berlin he integrates unpopular parts of the very famous jfk speech in 1963.

vinyl only! played by move d
for this beginning of the year caramelo has picked up for you some fresh sounds coming from his labels boss kosme and his new talent from the followed scene of vienna: perrez. this 3rd ep has many influences as it is the spirit of the label. *love sensation* from perrez sounds like a house anthem, a very groovy track with this never-ending piano and the fabulous voice of lh! his 2nd track *de l ame* is made with all his vibrations and his emotions for music, straight to the danceflloor with this funky bass and deep elements and of course: what a rhythm! on the flip, the lyons most wanted dj and producer kosme show here his house and dub sides. you can feel the beauty of kosmes house dub on *bonobo house* with also those synths used to bring this track on the heaven! *bear with a beard* is a house track with a touch of indus groove and a rhythm who made you slave of it!

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.

the second part of alan backdrops excursion-series comes with two extended and very personal tracks. with this two musical journeys, inspired by early 90s robert hood techno, crispy rhythm&sound elements and refreshed with inspiring ambient sounds and broken dubstep beats, he goes ahead building up his own musical signature. pure rhythmic soul confessions!

vinyl only! limited to 100 pieces! its house! – raw and dirty with a touch of jack! mr. adalberto provides three tr-909 driven trax, produced on real hardware for real people. the dance maniac ep reflects the mood of classic underground house music with elements of 90s ghetto house from chicago! nothing more nothing less - or have you already forgotten what you have danced to?....just house!

vinyl only! limited to 100 pieces! its house! – raw and dirty with a touch of jack! mr. adalberto provides three tr-909 driven trax, produced on real hardware for real people. the dance maniac ep reflects the mood of classic underground house music with elements of 90s ghetto house from chicago! nothing more nothing less - or have you already forgotten what you have danced to?....just house!

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

limited to 200 copies in green coloured vinyl ... sometimes memories and emotions are melted together, giving the right feeling to realize tracks with few elements that communicate.

the first release on project squared in a year, *make your mess* is a three track ep by melbournes craig mcwhinney. craig has been making music for years and releasing since the late 2000s on melbourne labels such as pinksilver, melbourne deepcast and his own haul music, also on labels based further afield such as brendon moellers steadfast and speedy js electric deluxe. craigs music is techno, but it isnt preoccupied with the 4/4, employing broken, swung and rolling drum patterns. his tracks often include melodic and harmonic elements and effects reminiscent of dub techno but without conforming to the pastiche template of the sub-genre. the make your mess ep is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: *provocation is an excuse* is more furious and loud, *disengage* is more restrained. all three are around 125 bpm and were produced in the space of a month between september and october 2012.

after two years since the first vinyl release in 2010, other heights is proud to announce the tenth vinyl release, released as 3 seperate eps. the second ep is a combination of elements of techno and house.tom dicicco, markus suckut, brooks mosher and metrobox have been wandering around in the musical mind of other heights for quite a while. now the time has come to combine their work in one overwhelming deep & jacking techno ep.tip!

ltd coloured 12 inch , after two years since the first vinyl release in 2010, other heights is proud to announce the tenth vinyl release, released as 3 seperate eps. the second ep is a combination of elements of techno and house.tom dicicco, markus suckut, brooks mosher and metrobox have been wandering around in the musical mind of other heights for quite a while. now the time has come to combine their work in one overwhelming deep & jacking techno ep.tip!

after two years, the labels owner alex piccini returns with a new ep and first vinyl on kosmophono. a collaboration with subspace that delivers two great examples of what the label wants to bring this year. elpmis has all the elements to drive you mental, the dark bass goes underneath the skin and the melody building up slowly throughout the track can take you to another world.

rummage in some boxes of my favourite record store i found a cover that made me curious. l kubic & tagträumer² - the only thing in this world and on the flipside a remix by alle farben. when placing the needle at the beginning of the vinyl the first sounds were very strange. i thought that must be a record from the 60s lost in the tech-house box but than a straight beat turned everything different. a piano melody slowly sat down firmly in my ear and i was longing to know where the journey takes me. after a while an acidline pushed everything and i was sure at this time this is not a normal 4/4 tech-house record. alle farben remixed the themes very playful and i heard that he gives the elements more pressure for the club. so at the end i bought this one and i cannot imagine taking this unique record ever again out of my record case.

deep&disco recordings presents chicago-based band the right now with *call girl*, a gritty piece of live retro-soul with a package of varied and unique mixes. the a-side kicks off with hot toddy turning the funk up a notch in his characteristically musical way, in a mix that layers new live elements over the original and builds to a dazzling peak. following that is the original version: a straight-to-tape recording of the band with lush keys, tight rhythm section grooves, horn stabs, and vocals that drip with soul. then on the b-side, dicky trisco turns in a deep and dubby late-nite disco burner, and label head jkriv takes the tune into old-school house territory with thumping 909 drums and bouncing piano stabs. early dj support from kon, 6th borough project, lovebirds, ooft!, jacques renault and more.

the release opens with quite baked, a stripped, low-slung cut that embraces loose, swung drums and rolling low-end rumbles. the record adapts to a simplistic hooky structure that allows subtle transitional periods to keep things captivating, infusing a blend of gritty elements that gleam with analogue sparkles and warmth, resulting in a tasteful slice of rough and ready house music. next up is as olways, taking things in a deeper direction with smooth rhodes chords driving the melodic movement.

while a series of projects are slated for release under the dirt tech reck banner, the first is the electric street orchestra. its inspiration is from those who are called street people. forgotten people from a forgotten city. it has also steeped in the detroit tradition of ignoring the notion of genre and taking a broad range of elements and inspiration to create something that is both new and familiar. bringing together a constellation of detroits sonic masters. dtr-01 takes urs mad mike and agent chaos, house music king theo parrish, hip hop/house percussionist dez andres, and rock/funk master guitarist duminie deporres, and joins them through the lens of jeedo’s vision of the future

this record includes an amazing and unique remix by mick wills featuring isabella venis & intergalactic gary. frigio records presents the first part of the lost series by juanpablo. this first series is dedicated to creatures that are disappearing from this planet because of human colonization of their territory. this time, juanpablo drops us 3 tracks with a strong identity and lots of energy that combine similar elements of heavy atmospheres and deep melodies.

after his groundbreaking european-wide hit remix of asaf avidans >reckoning song / one day< the berlin dj & producer wankelmut releases his debut single on get physical music / poesie musik. with the great australian singer emma louise by his side, he presents > my head is a jungle<. wankelmut takes his >one day< sound to another level and delivers a powerful 124 bpm tech house groover with nice added guitar and vocal elements that make this an easy recogniseable >must have< tune for 2013

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

modern house bombs with disco elements

the first release of the new dutch label pinkman contains four great tracks from drvg cvltvre, formerly known as ra-x. his music is slow, doomy, with broken disco and house elements, focussing on on hypnotic repetition and percussion. most of the music is made with electronic means, but is rooted in an organic, percussive approach.

vs take on house music comes at the listener from an outsiders perspective, as his native ukraine traditionally hasnt been a hotbed of this genre. consequently, his new album on nuearth kitchen, 13th district, hits your ears at an odd angle, as v (aka vakula, aka mikhaylo vityk) bends somewhat familiar tropes into fascinating, fresh shapes. clearly enamored of american funk, soul, and jazz, v recalibrates these familiar elements—the amino acids of house—into dream-logic, hypnotic scenarios that accentuate their visceral and cerebral qualities.

oliver hos alias for the less obvious techno stompers has always been full of surprises. although you can take the man out of the rave, but not the rave out of the man, raudives >traffic ep< is a retro futuristic team of hermaphrodites. four tracks that recall metal dance - the genre that never was - as well as disco elements, house hints, a techno taste and wave wonders. a record made for sven vaeth and trevor jackson, with >beams< already on heavy rotation with dixon and ame for a while now.

slag is a live techno band consisting of equal parts musicians and djs. the four experienced men draw on their experience from record shops dance floors and film-/ theater-music and have the common passion for techno in their neural pathways. with the passion for electronic music and classic synthesizers, they created a sound black as oil and white as freshly fallen snow. the band varies their performance with a large portion jam elements and makes their live shows tension filled in both club and concert performances. a concert by fire slag starts in the deepest dub and ends in a furious techno ballad.

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.

is it balearic hit their late 20s with another superb release - this time craig bratley steps up with analogue dreams. craig has earnt quite a reputation from only a handful of releases, including the weatherall favourite and classic cut >birdshell< on instruments of rapture. on analgue dreams, craig lays down a gently evolving, acid tinged piano slow burner, all mood and melody. first up on the remix we have the ever essential bonar bradberry who amps things up and takes a clonking bass riff down the disco for a real good time. on the flip crimea x pare the musical elements right down and build an epic remix from the raw ingredients, employing live percussion and shimmering synths. finally joes bakery dial down the tempo and incorporate some deft acoustic guitar and gentle moodswings alongside the musical elements of the original.

a fan favorite on the full length release, robots & bumblebees is cvos special tribute to the great patrick adams. classic synth sounds with a hot gu groove. the b-side goes way deep with silent pimp, a comprehensive piece of chilled out elements and soulful jazz keys.

-points of view- from emg explores in relative 009 old and new aspects of electronic music.
past present and free interpretation meet together through elements and influences...
4 live tracks recorded on 1/4inch tape for a deep sound experience

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

the creative combo doppelgaenger, pitchbar records latest offspring, are hitting the club scene with their vinyl debut >lumberjack<.
in the track >flavoured funk<, doppelgaenger live out their hard-edged, pushing, deep side. the slightly trancy elements are joined by a hard kick drum and somewhat deep vocals contributing to the tracks dark and driving atmosphere. this track represents a homage to the thick tree trunk that drives itself firmly into the earth, covered by a resilient bark and crowned by its old cracking branches.
the second track, >i feel good now<, mirrors the trees lush foliage. somewhat lighter around the treetop, there is nonetheless a solid body below, which can be played into wide space. >i feel good now< gives us the lightness to leap from branch to branch and up into the crown that protrudes into a dark night time sky.

vidab keeps on its quest of finding and releasing new and raw music. the 16th vinyl release of the berlin based label, comes from milans privat residents hiver with their debut production titled >a day< ep. hivers musical spectrum contains dark and distant elements, ranging from the darkest rhythms of dub-techno to melodic capturing lines. this can be evident in the two tracks on this single >a day< and >reduced< which convey their club experiences of moving a dancefloor in one solid package.

east london producer and dj drumtalk is to release his new ep through soundway records. inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphnis recent >jiaolong< lp.
heavyweight vinyl pressing, includes code for free mp3 download of this release.

one of figures most prolific artists, a.mochi offers up his first ever ep for figure spc, with 2 especially subterranean and highly charged tracks. mochi, who last year released his outstanding >primordial soup< lp on figure, continues to tread the line between functional club techno, and post-apocalyptic mechanical soundtracks. the well-defined a side burner, >riff< charges along with textured, woody percussion at its heart, and mochis trademark white noise ensemble pushing the high frequencies. a reduced, classically minimalist work, the track relies on just a handful of elements to induce a real fever on the dancefloor. following closely in its footsteps is >sunset<, a deeper cut with hi-tech atmospheres and intricate percussion at its core. metallic synths surge under mochis wall of bass, and the straight-ahead ebb of the sharp hats and claps edge this monster into even darker zones.

debut from roche on the mathematics label leads off with sans quimico, an amazing tune with elements of deep house and detroit techno. lftl eternal starts the flip with an obscure bangin track with crisp hats and a bubbling bassline. the title cut ends the ep with a chilled out deep 5am feel.